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Lectio Divina: Five A.M. In The Pinewoods by Mary Oliver

I’ve been practicing and sharing lectio divina for, well, a few decades now. This ancient spiritual practice, rooted in Catholic monastic tradition, invites us to listen deeply to sacred texts, and through them, to the voice of the Divine moving in our own lives.

Over time, my sense of what is holy has expanded beyond scripture’s pages and led me into the forest. With that wandering and wondering, I’ve found that Mary Oliver’s poetry speaks with a deep, sacred resonance.

The practice of lectio divina goes like this:

1. Lectio — Sacred Reading

Begin by reading (or hearing) the text slowly, letting the words wash over you. Notice what phrase, image, or line shimmers, what catches at your heart or curiosity. There’s no need to analyze; simply listen with the ear of your soul and notice your noticing.

2. Meditatio — Holy Reflection

Read the passage again. This time, pause with the word or phrase that called to you. Or maybe a new element of the text is sparkling for you. Turn it over gently in your mind and heart. Ask: What might this be saying to me, here and now? Allow memory, emotion, and intuition to mingle; this is a conversation, not a quiz.

3. Oratio / Contemplatio — Loving Response

Finally, let your reflections ripen into prayer or presence. You might speak to the Divine about what you’ve noticed, or simply rest in silence. Sometimes this becomes a wordless communion, sometimes a stirring toward action. Either way, it’s the space where listening turns into love.

Here is our sacred text today.

Five A.M. in the Pinewoods

I’d seen

their hoofprints in the deep

needles and knew

they ended the long night

under the pines, walking

like two mute

and beautiful women toward

the deeper woods, so I

got up in the dark and

went there. They came

slowly down the hill

and looked at me sitting under

the blue trees, shyly

they stepped

closer and stared

from under their thick lashes and even

nibbled some damp

tassels of weeds. This

is not a poem about a dream,

though it could be.

This is a poem about the world

that is ours, or could be.

Finally

one of them—I swear it!—

would have come to my arms.

But the other

stamped sharp hoof in the

pine needles like

the tap of sanity,

and they went off together through

the trees. When I woke

I was alone,

I was thinking:

so this is how you swim inward,

so this is how you flow outward,

so this is how you pray.

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